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Bibliography Example Revue Cinema

General Works and Overviews

Ades, Dawn.
"Internationalism and Eclecticism: Surrealism and the Avant-Garde in Painting and Film 1920-1930." In: Spanish Cultural Studies: An Introduction: The Struggle for Modernity, pp: 71-79. Edited by Helen Graham and Jo Labanyi. Oxford; New York: Oxford University Press, 1995.
UCB Main DP233.5.S7 1995

Aguilar, Carlos
Guia del cine español Published: Madrid : Catedra, 2007.
Main Library Reference: PN1993.5.S7 A68 2007

Aldgate, Anthony.
Cinema and History: British Newsreels and the Spanish Civil War / Anthony Aldgate. London: Scolar Press, 1979.
UCB Main DP269.8.M6 .A42
UCB Moffitt DP269.8.M6 .A42

Amar Rodriguez, Victor Manuel
El cine en Cadiz durante la Guerra Civil Espanñola Cadiz: Quorum Libros: Universidad de Cadiz, Servicio de Publicaciones, 1999.
UCB Main PN1993.5.S7 A782 1999

Ballo, Jordi.
Cinema Catala, 1975[-]1986 / Jordi Ballo, Ramon Espelt, Joan Lorente. 1. ed. Barcelona: Columna, 1990.
UCB Main PN1993.5.S72 C32 1990

Besas, Peter.
Behind the Spanish Lens: Spanish cinema Under Fascism and Democracy/ by Peter Besas. Denver, Colo.: Arden Press, 1985.
UCB Main PN1993.5.S7 B471 1985

Besas, Peter.
"The financial structure of Spanish cinema." In: The European cinema reader / edited by Catherine Fowler. London ; New York : Routledge, 2002.
Main Stack PN1993.5.E8.E97 2002
PFA PN1993.5.E8.E97 2002

Burning darkness : a half century of Spanish cinema
Edited by Joan Ramon Resina ; with the assistance of Andrés Lema-Hincapié. Albany : SUNY Press, c2008.
Main (Gardner) Stacks PN1993.5.S7 B87 2008

Camino, Mercedes Maroto.
Film, memory and the legacy of the Spanish Civil War : resistance and guerrilla, 1936-2010 / Mercede Houndmills, Basingstoke, Hampshire ; New York : Palgrave Macmillan, 2011.
Main (Gardner) Stacks DP269.8.M6 C37 2011

Caparrós Lera, Jose Maria
Arte y Politica en el Cine de la Republica (1931-1939) / Jose Maria Caparros Lera; prologo de Miguel Porter-Moix. 1a ed. Barcelona: Edit. 7 1/2: Edic. Universidad, 1981.
UCB Main PN1993.5.S7 .C31 1981

Caparrós Lera, José María.
"The Cinema Industry In The Spanish Civil War, 1936-1939." Film & History 1986 16(2): 35-46.
"Though the Spanish Civil War caused a decline in Spanish film production, a number of movies were made by the political factions involved in the conflict and the autonomous Catalan government, not to mention the foreign films based on the subject." [Historical Abstracts]

Caparrós Lera, Jose Maria
El Cine Cspanol Bajo el Regimen de Franco, 1936-1975 / Jose Maria Caparros Lera. [Barcelona]: Publicacions i Edicions de la Universitat de Barcelona, 1983.
UCB Main PN1993.5.S7 C29 1983

Caparrós Lera, Jose Maria
El Cine Español de la Democracia: de la Muerte de Franco al "Cambio" Socialista (1975-1989) / J.M. Caparros Lera. 1. ed. Barcelona: Anthropos, 1992. Series title: Palabra plastica; 16.
UCB Main PN1993.5.S7 C293 1992

Caparrós Lera, Jose Maria
El cine Politico Visto Despues del Franquismo / Jose M.a Caparros Lera. 1. ed. Barcelona: DOPESA, 1978. Series title: Coleccion Imagenes historicas de hoy; 10.
UCB Main PN1995.9.P6 C3 *c2 copies
NRLF $B 184 606 Type EXP NRLF for loan details.

Caparrós Lera, Jose Maria
El Cine Republicano Español, (1931-1939) / Jose M.a Caparros Lera; prologo de Jaume Miravitlles. 1. ed. Barcelona: DOPESA, 1977. Series title: Coleccion Imagenes historicas de hoy; 9.
UCB Main PN1993.5 .S7C3

Caparrós Lera, Jose Maria
Las grandes peliculas del cine español [Madrid] : Ediciones JC, 2007.
0MAIN: PN1993.5.S7 L37 2007

Caparrós Lera, J. M.
"Spanish Cinema in the 1930s." New Orleans Review, vol. 14 no. 1. 1987 Spring. pp: 21-24.

La Censura de Cine en España.
Madrid [Centro Español de Estudios Cinematograficos] 1963. Series title: ABC del cine 10.
NRLF $D 63 164

Centre d'Estudis de les Arts de l'Espectacle. Equip Fructuos Gelabert.
Breu historia del Cinema Primitiu a Catalunya / Equip Fructuos Gelabert del CEDAEC. [1. ed.]. [Mataro]: Edicions Robrenyo, [1977]. Series title: Serie Fructuos Gelabert; 1.
NRLF B 3 567 565

El Cine en Cataluna: Una Aproximacion Historica
Sergi Alegre ... [et al.]; prologo de Alex Gorina. 1. ed. Barcelona: PPU: Distribucion exclusiva, Distribuciones de Enlace, 1993. Series title: Libros "film-historia"; no. 1.
NRLF B 3 981 773

Cine Español: Una Historia por Autonomias
Fernando Gonzalez ... [et al.]; prologo y coordinacion, J.M. Caparros Lera. 1. ed. Barcelona: PPU, 1996- Series title: Libros "film-historia"; no. 3.
UCB Main PN1993.5.S7 C512 1996 v.1 (1996)

Cine-Lit: Essays on Peninsular Film and Fiction
Edited by George Cabello Castellet, Jaume Marti-Olivella, and Guy H. Wood. Corvallis, Or.: Portland State University: Oregon State University: Reed College, c1992.
UCB Main PN1993.5.S7 C561 1991
"Cine-Lit 2000, an international conference on Hispanic literatures and cinematographies, took place in Portland, Oregon, from February 18 to February 21, 2000"--Introduction. Includes bibliographical references. Del exilio as retorno : el largo viaje de un cineasta chileno / Veronica Cortinez -- La Cenicienta posmoderna : la reescritura de los cuentos de hadas en Pequenos milagros (1997), de Eliseo Subiela / Nancy Membrez -- Carmen Miranda's cultural memory / Catherine Wood Lange -- Gritemos a plenos pulmones y contemoselo a todos : revelando secretos en No se lo digas a nadie de Jayme Bayle y Francisco Lombardi / Percio B. de Castro -- The feminine as visible difference in Fresa y chocolate, or Casting El hombre nuevo in a less queer light / Cynthia Duncan -- La vida segun Muriel and the marking of feminine space / Lori Hopkins -- Maria Luisa Bemberg vs. Julio Llinas : La adaptacion filmica de De eso no se habla / Elena Olazagasti-Segovia -- La tigra de 1930 a 1990 : Los cambios del proyecto nacional ecuatoriano / Enrique Yepes -- Juventudes problematicas en el cine de los 90 : Salto al vacio (1995) de Daniel Calparsoro / Isolina Balesteros -- Life is virtual dream : Amenabar reading Calderon / Sandra Robertson -- Los montajes de la memoria : aparato cimematografico, identidad cultural y resistencia en Madrid de Basilio Martin Patino / Jose F. Colmeiro -- La flor de mi secreto, de Pedro Almodovar : entre casticismo y regeneracion / Javier Escudero -- Child's play : juvenile meta-acting in Spanish cinema / Thomas Deveny -- Stasis y peste en La caza de Carlos Saura / Guy H. Wood -- The verge of Almodovar's Spain : a space in subverisve humor / Elizabeth Gunn -- Flores de otro mundo : una mirada negociadora / Maria Cami-Vela -- Genero chico, variedades y publico en el marco cinematografico de La corte del faraon / Elena Cueto-Asin -- Commercial is no longer a dirty word for Spanish cinema / Christina Buckley -- Una entrevista con Eliseo Subiela / Nancy Membrez -- Yerma : una conversacion con la realizadora Pilar Tavora sobre su adaptacion cinematografica de la pieza de Federico Garcia Lorca / Joan and Dennis West -- Una entrevista con Iciar Bollain / Maria Cami-Vela.

Cine, nacion y nacionalidades en España
Estudios reunidos por Nancy Berthier, Jean-Claude Seguin. Madrid : Casa de Velazquez, 2007.
MAIN: PN1993.5.S7 C565 2007

Cinema et Espagne Franquiste: En Hommage a Marcel Oms
[Institut international de sociocritique]. Montpellier: Centre d'etudes et de recherches sociocritiques, [1994]. Series title: Co-textes no 27-28. Series title: Etudes sociocritiques.
UCB Main PN1993.5.S7 C523 1994

The cinema of Spain and Portugal
Edited by Alberto Mira. London ; New York : Wallflower, 2005.
Main PN1993.5.S7 C566 2005
Preface /Introduction /Roman Gubern --Alberto Mira --Agustin Sanchez Vidal --Lisa Shaw --Alberto Mira --Randal Johnson --Isabel Santaolalla --Alberto Mira --Ryan Prout --Mark Allinson --Chris Perriam --Peter Evans --Alberto Mira --Antonio Lazaro-Reboll --Xon de Ros --Ryan Prout --Ryan Prout --Vicente Sanchez Biosca --Elena Carrera --Lucia Nagib --Alberto Mira --La aldea maldita =The cursed village /A cancão de Lisboa =Song of Lisbon /La verbena de la paloma =Fair of the dove /Aniki-Bobo /Los ultimos de Filipinas =Last stand in the Philippines /Lola la piconera =Lola the coalgirl /Marcelino pan y vino =The miracle of Marcelino /Calle Mayor =Main street /El ultimo cuple =The last torch song /Viridiana /El verdugo =The executioner ;El extra~no viaje =Strange journey /La noche de walpurgis =Shadow of the werewolf /El espíritu de la colmena =Spirit of the beehive /Cria cuervos =Raise ravens /El diputado =Confessions of a congressman /Arrebato =Rapture /Los santos inocentes =The holy innocents /João de deus trilogy =Trilogy of John of God /Belle epoque /Viagem ao principio do mundo =Journey to the beginning of the world /Randal Johnson --Antonio Lazaro-Reboll --Mark Allinson --Paul Julian Smith.Torrente: el brazo tonto de la ley =Torrente: the dumb arm of the law ;Torrente 2: mision en Marbella =Torrente 2: mission in Marbella /Todo sobre mi madre =All about my mother /Lucia y el sexo =Sex and Lucia /

Collins, Jacky.
"Representation of Alternative Sexualities in Contemporary Spanish Writing and Film." In: Contemporary Spanish cultural studies / edited by Barry Jordan and Rikki Morgan-Tamosunas. pp: 214-22. London: Arnold; New York: Co-published in the United States of America by Oxford University Press, 2000.
Grad Svcs DP48.C66 2000 Non-circulating; may be used only in Graduate Services.
Main Stack DP48.C66 2000

Colmiero, Jose F.
"Stars and Masculinities in Spanish Cinema. From Banderas to Bardem." The Journal of Popular Culture Volume 39 Page 319 April 2006
UC users only

Contemporary Spanish cinema and genre
Edited by Jay Beck and Vicente Rodr�guez Ortega. Manchester ; New York : Manchester University Press : Distributed in the U.S. exclusively by Palgrave Macmillan, 2008.
Main (Gardner) Stacks PN1993.5.S7 C667 2008

Contracampo : ensayos sobre teoria e historia del cine
Jenaro Talens y Santos Zunzunegui (eds.). Madrid : Catedra, 2007.
MAIN: PN1993.5.S7 C65 2007

Crusells, Magi.
Cine y guerra civil española : imagenes para la memoria Madrid : Ediciones JC, 2006.
MAIN: DP269.8.M6 C775 2006

La Cultura Española en el Posfranquismo: Diez Anos de Cine, Cultura y Literatura en España (1975-1985)
Edicion des Samuel Amell y Salvador Garcia Castaneda. Madrid: Playor, [1988?].
UCB Main PQ6002 .C81 1988

Cusachs i Corredor, Manuel
El Cinema a Mataro, 1897-1939: de la llanterna Magica al Cinema Sonor / Manuel Cusachs i Corredor, Josep Sivilla i Bosch. 1a ed. Barcelona: Caixa Laietana, 1994.
UCB Main PN1993.5.S7 C87 1994

De la letra a la imagen : narrativas posfranquistas en sus versiones filmicas
Marta B. Ferrari (ed.); Laura Scarano, Gabriela Genovese, Diego Rubiolo. Mar del Plata : Universidad Nacional de Mar del Plata, 2007.
MAIN: PQ6072 .D453 2007

Delgado Casado, Juan.
La Bibliografia Cinematografica Española: Aproximacion Historica / Juan Delgado Casado. Madrid: Arco/Libros, c1993. Series title: Instrumenta bibliologica.
NRLF B 4 003 900

Deveny, Thomas G.
Cain on Screen: Contemporary Spanish Cinema / by Thomas G. Deveny. Metuchen, N.J.: Scarecrow Press, 1993.
UCB Main PN1993.5.S7 D48 1993

Deveny, Thomas G.
Cain on screen: contemporary Spanish cinema / Thomas G. Deveny. Lanham, Md.: Scarecrow Press, 1999.
MAIN: PN1993.5.S7 D48 1993

Deveny, Thomas G.
Contemporary Spanish Film from Fiction / Thomas G. Deveny. Lanham, Md.: Scarecrow Press, 1999.
Main Stack PN1993.5.S7.D49 1999

Deveny, Thomas G.
"Living Underground: The Mole in Contemporary Spanish Cinema." RLA: Romance Languages Annual, vol. 2. 1990. pp: 391-94.

D'Lugo, Marvin.
"Film and Censorship under Franco, 1937-1975." In: The Cambridge history of Spanish literature / edited by David T. Gies. Cambridge, UK ; New York : Cambridge University Press, 2004.
MAIN: PQ6033 .C36 2004; DREF: PQ6033 .C36 2004
Table of contents http://www.loc.gov/catdir/toc/cam041/2004045601.html

D'Lugo, Marvin.
Guide to the cinema of Spain / Marvin D'Lugo. Westport, Conn.: Greenwood Press, 1997. Series title: Reference guides to the world's cinema.
UCB Main PN1993.5.S7 D68 1997

D'Lugo, Marvin.
"The Geopolitical Aesthetic in Recent Spanish Films." Post Script: Essays in Film & the Humanities. 21(2):78-89. 2002 Winter-Spring
UC users only
Considers some of the tensions between the local and the global in Spanish cinema, with focus on "Todo sobre mi madre" and "Amantes del círculo polar".

D'Lugo, Marvin
"Recent Spanish cinema in national and global contexts." Post Script Wntr-Spring 2002 v21 i2 p3(10)
UC users only
" hitSpanish hitcinema has developed and has become more world renowned since the mid-1980s. hitSpanish films have won several Academy Awards. Two such examples, which are studied, are Fernando Trueba's comedy "Belle Epoque" (1992) and Pedro Almod�var's "Todo sobre mi madre" ("All About My Mother" (1999). These films have influenced the hitSpanish television and hitcinema industries, which now are portraying more of hitSpanish lifestyles than the typical clichés they'd shown before." [IIPA]

Donapetry, Maria.
Imagi/nacion : la feminizacion de la nacion en el cine español y latinoamericano Madrid : Editorial Fundamentos, 2006.
MAIN: PN1995.9.W6 D638 2006

Edwards, Gwynne.
Indecent Exposures: Bunuel, Saura, Erice & Almodovar / Gwynne Edwards. London; New York: M. Boyars, 1995.
UCB Main PN1993.5.S7 E39 1995

Escritos Sobre el Cine Español, 1973-1987
Vicente J. Benet ... [et al.]; presentacion, Jose A. Hurtado, Francisco M. Pico. [Valencia]: Filmoteca, Generalitat Valenciana, [1989]. Series title: Textos; 5.
UCB Main F392.M33 H36 1989

España, Rafael de.
"Images Of The Spanish Civil War In Spanish Feature Films, 1939-1985." Historical Journal of Film, Radio and Television 1986 6(2): 223-236.
" General Francisco Franco was able to encourage native film makers to propagate the official ideology of the Movimiento Nacional. The films depict the Civil War as a struggle between good and evil and illustrate aspects of the development of Francoism during this period." [Historical Abstracts]

Espa�a, Rafael de.
Directory of Spanish and Portuguese film-makers and films / compiled and edited by Rafael de Espana. Westport, Conn. : Greenwood Press, 1994.
Doe Refe PN1993.5.S7.E83 1994 Biographies

Evans, Peter.
"Back to the Future: Cinema and Democracy." In: Spanish Cultural Studies: An Introduction: The Struggle for Modernity, pp. 326-31 Edited by Helen Graham and Jo Labanyi. Oxford; New York: Oxford University Press, 1995.
UCB Main DP233.5.S7 1995

Evans, Peter.
"Cinema, Memory, and the Unconscious." In: Spanish Cultural Studies: An Introduction: The Struggle for Modernity, pp. 304-10. Edited by Helen Graham and Jo Labanyi. Oxford; New York: Oxford University Press, 1995.
UCB Main DP233.5.S7 1995

Evans, Peter.
"Cifesa: Cinema and Authoritarian Aesthetics." In: Spanish Cultural Studies: An Introduction: The Struggle for Modernity, pp. 215-22. Edited by Helen Graham and Jo Labanyi. Oxford; New York: Oxford University Press, 1995.
UCB Main DP233.5.S7 1995

Fanes, Felix.
El Cas Cifesa, Vint Anys de Cine Espanyol (1932-1951) / Felix Fanes. [Valencia]: Ediciones Filmoteca, [1989?]. Series title: Textos; 3.
UCB Main PN1999.C49 F36 1989

Faulkner, Sally
A cinema of contradiction : Spanish film in the 1960s Edinburgh : Edinburgh University, 2006.
MAIN: PN1993.5.S7 F335 2006

Faulkner, Sally
Literary adaptations in Spanish cinema London ; Rochester, NY : Tamesis, 2004.
MAIN: PN1993.5.S7 F34 2004
PFA : PN1993.5.S7 F34 2004;

Fernandez Blanco, Victor; and Jose F. Banos Pino
"Cinema Demand in Spain: A Cointegration Analysis." Journal of Cultural Economics Volume 21, Number 1 / March, 1997
UC users only
In this paper we explain the decline in cinema attendance in Spain since 1968. We use a cointegration analysis to estimate an individual demand function for cinema, with annual data and in terms of average attendance per inhabitant. We find that cinema is a luxury good and that its demand is elastic with respect to its price. We also show that television acts as a deterrent with regard to cinema attendance.

Fiddian, Robin W.
Challenges to Authority: Fiction and Film in Contemporary Spain / Robin W. Fiddian and Peter W. Evans. London: Tamesis Books; Wolfeboro, N.H., U.S.A.: Longwood Pub. Group [distributor], c1988. Series title: Coleccion Tamesis. Series A, Monografias; 129.
UCB Main PQ6144 .F531 1988

Folgar de la Calle, Jose Ma. (Jose Maria)
Aproximacion a la Historia del Espectaculo Cinematografico en Galicia (1896-1920) / Jose Ma. Folgar de la Calle. Santiago de Compostela: Universidad de Santiago de Compostela, 1987. Series title: Monografias de la Universidad de Santiago de Compostela; 128.
UCB Main PN1993.5.S7 F65 1987

Fouz-Hernandez, Santiago.
Live flesh : the male body in contemporary Spanish cinema London; New York : I. B. Tauris, 2007.
Full-text available online (UC Berkeley users only)
MAIN: PN1995.9.M46 F68 2007

Gamez Fuentes, Maria Jose .
"Women in Spanish Cinema: 'Raiders of the Missing Mother'?" Cineaste. 29(1):38-43. 2003 Winter
UC users only
"A multilayered reading of the different representations of the mother hitin hitSpanish hitcinema is offered. During Spain's transition to democracy, the maternal figure served as a fictional space that articulated historical-political conflicts. Films discussed include José Luis Borau's "Furtivos" ("Poachers," 1975), Carlos Saura's "Cria cuervos" ("Raise Ravens," 1975), Pilar Mir�'s "Gary Cooper que estas en los cielos" ("Gary Cooper Who Art hitin Heaven," 1980) and "El p�jaro de la felicidad" ("The Bird of Happiness," 1993), Agustin Diaz Yanes' "Nadie hablar� de nosotras cuando hayamos muerto" ("Nobody Will Talk About Us When We Are Dead," 1995), Benito Zambrano's "Solas" ("hitWomen Alone," 1999), and Pedro Almod�var's "Todo sobre mi madre" ("All About My Mother," 1999)." [IIPA]

Garcia Escudero, Jose Maria
Cine Español. Madrid, Ediciones Rialp, 1962. Series title: Libros de cine. Serie B; 30.
UCB Main PN1993.5.S7 G29

Garcia Fernandez, Emilio C. (Emilio Carlos)
Historia Ilustrada del Cine Español / Emilio C. Garcia Fernandez. 1a ed. Barcelona, España: Planeta, 1985.
UCB Main PN1993.5.S7 G341 1985

Garland, David.
"A Ms-Take in the Making? Transsexualism Post-Franco, Post-Modern, Post-Haste." Quarterly Review of Film and Video, vol. 13 no. 4. 1991. pp: 95-102.

Gender and Spanish cinema
Edited by Steven Marsh and Parvati Nair. Oxford : Berg, 2004.
Full-text available online (UC Berkeley users only)
MAIN: PN1995.9.S47 G455 2004
Contents: Between the phobic object and the dissident subject: abjection and vampirism in Luis Buñuel's Viridiana / Julian Daniel Gutierrez-Albilla -- Costume, identity and spectator pleasure in historical films of the early Franco period / Jo Labanyi -- Masculinity, monuments and movement: gender and the city of Madrid in Pedro Almodovar's Carne tremula (1997) / Steven Marsh -- Madness, queenship and womanhood in Orduña's Locura de amor (1948) and Aranda's Juana la loca (2001) / Celia Martin Perez -- New sexual politics in the cinema of the transition to democracy: de la Iglesia's El diputado (1978) / Alejandro Melero Salvador -- Borderline men: gender, place and power in representations of Moroccans in recent Spanish cinema / Parvati Nair -- A psychoanalysis of La mujer mas fea del mundo (1999) / Eva Parrondo Coppel -- Gender and Spanish horror film / Tatjana Pavlovic -- Heterosexuality in Segunda piel (Gerardo Vera, 2000) and Sobrevivire (Alfonso Albacete and David Menkes, 1999): strong women, or the same old story? / Chris Perriam -- !Victoria? a modern Magdalene / Rob Stone -- Theatricality, melodrama and stardom in El ultimo cuple / Kathleen M. Vernon -- Radio Free Folkloricas: cultural, gender and spatial hierarchies in Torbellino (1941) / Eva Woods

Generation X rocks : contemporary peninsular fiction, film, and rock culture
Christine Henseler and Randolph D. Pope, editors. Nashville, Tenn. : Vanderbilt University Press, 2007.
Main (Gardner) Stacks PQ6144 .G44 2007
Contents: Pt. I. Rocking the academy : Generation X narratives. A distopyan culture : the minimalist paradigm in the Generation X / Gonzalo Navajas -- The pistols strike again! On the function of punk in peninsular "Generation X" fiction of Ray Loriga and Benjam�n Prado / Paul D. Begin -- What we talk about when we talk about dirty realism in Spain / Cintia Santana -- Pt. II. Can anyone rock like we do? : Sex, drugs, and rock & roll, then and now. Can anyone rock like we Do? Or, how the Gen X aesthetic transcends the age of the writer / Samuel Amago -- Apocalypses now : the end of Spanish literature? Reading Payasos en la lavadora as critical parody / Luis Martín-Cabrera -- Not your father's rock and roll : listening to transitional/eighties writers and Generation X / Elizabeth Scarlett -- Pt. III. Historias del Kronen on the rocks. Between rock and the rocking chair : the epilogue's resistance in Historias del Kronen / Randolph D. Pope -- Realism on the rocks in the generational novel : "Rummies," rhythm, and rebellion in Historias del Kronen and The sun also rises / Matthew J. Marr -- Pt. IV. Rocking the road with Ray Loriga. Reckless driving : speed, mobility, and transgression in the Spanish "Rock 'n' road" Novel / Jorge Pérez -- Television and the power of image in Ca�dos del cielo and La pistola de mi hermano by Ray Loriga / Kathryn Everly -- Rocking around Ray Loriga's Héroe : video-clip literature and the televisual subject / Christine Henseler -- Pt. V. The soundtrack of gender : violating visions and the psychological power of rock. Watching, wanting, and the Gen X soundtrack of Gabriela Bustelo's Veo veo / Nina Molinaro -- Saved by art : entrapment and freedom in Ic�ar Bolla�n's Te doy mis ojos / Linda Gould Levine.

Getino, Octavio
Cine iberoamericano : los desafios del nuevo siglo [Buenos Aires] : Ediciones CICCUS, c2007.
MAIN: PN1993.5.L3 G458 2007

Gomez B. de Castro, Ramiro (Gomez Bermudez de Castro)
La Produccion Cinematografica Española: de la Transicion a la Democracia (1976-1986)/ Ramiro Gomez B. de Castro. Bilbao: Mensajero, [1989?]. Series title: Coleccion Cineresena.
UCB Grad Svcs PN1993.5.S7 G65 1989

Gomez, Maria Asuncion.
Del esenario a la pantalla: la adaptacion cinematografica del teatro espanñol Chapel Hill: University of North Carolina At Chapel Hill, Dept. of Romance Languages, 2000.
Main Stack PN1997.85 .G645 2000

Gomez Lopez-Quiñones, Antonio
La guerra persistente : memoria, violencia y utopia : representaciones contemporaneas de la Guerra Civil Española Published: Madrid : Iberoamericana ; Frankfurt am Main : Vervuert, 2006. Location(s): MAIN: DP269.8.L5 G66 2006

Gonzalez Ballesteros, Teodoro.
Aspectos Juridicos de la Censura Cinematografica en España: Con Especial Referencia al Periodo 1936-1977 / por Teodoro Gonzalez Ballesteros. Madrid: Editorial de la Universidad Complutense, 1981.
NRLF B 3 567 018

Gonzalez Lopez, Palmira.
Catalogo del Cine Español. Peliculas de Ficcion / Palmira Gonzalez Lopez, Joaquin T. Canovas Belchi. Madrid: Filmoteca Española, 1993-
UCB Main PN1993.5.S7 G63 1993 v.F2 (1993)

Guarner, Jose Luis.
30 Anos de Cine. [1. ed.]. Barcelona, Editorial Kairos, [1971].
UCB Main PN1993.5.S7 G8

Gubern, Roman.
1936-1939: La Guerra de España en la Pantalla: de la Propaganda a la Historia/ Roman Gubern. Madrid: Filmoteca Española, 1986.
UCB Main DP269.8.M6 G825 1986

Gubern, Roman.
La Censura: Funcion Politica y Ordenamiento Juridico Bajo el Franquismo (1936-1975) / Roman Gubern. 1a ed. Barcelona: Peninsula, 1981, c1980. Series title: Historia, ciencia y sociedad; 166.
NRLF B 3 567 017

Gubern, Roman.
El Cine Sonoro en la II Republica (1929-1936) / Roman Gubern. 1. ed. Barcelona: Editorial Lumen, 1977. Series title: Historia del cine español; 2. Series title: Palabra en el tiempo; 125: Serie de cine.
UCB Main PN1993.5.S7 G83

Gubern, Roman.
"The Civil War: Inquest or Exorcism?" Quarterly Review of Film and Video, vol. 13 no. 4. 1991. pp: 103-12.

Gubern, Roman.
Proyector de luna: la generacion del 27 y el cine Barcelona: Editorial Anagrama, c1999.
UCB Main PN1993.5.S7 G84 1999;

Gubern, Roman.
"Survey of Spanish Film: Trends, Problems, and Genres in the Post-Franco Cinema, 1975-1981." Quarterly Review of Film Studies, vol. 8 no. 2. 1983 Spring. PAGES: 15-23.

Guerra Civil y Cine.
Valencia: Fernando Torres, 1985. Series title: Els quaderns de la mostra; 4.
UCB Main DP269.8.M6 G81 1985

Gutierrez Espada, Luis.
Introduccion al Derecho Cinematografico / compuesto por Luis Gutierrez Espada. Madrid: Tecnos, c1976. Series title: Manuales universitarios españoles; 7.
NRLF B 3 567 329

Gutierrez-Lanza, Maria Del Camino
"Spanish Film Translation: Ideology, Censorship and the Supremacy of the National Language." In: The Changing Scene in World Languages: issues and challenges / edited by Marian B. Labrum. pp: 35-45 Amsterdam; Philadelphia: John Benjamins Publishing Co., c1997. American Translators Association scholarly monograph series; vol. IX 1997
Main Stack P120.V37.C4 1997

Heredero, Carlos.
"New Creators for the New Millennium: Transforming the Directing Scene in Spain." Cineaste. 29(1):32-37. 2003 Winter
UC users only
"Part of a special section on contemporary Spanish cinema. The last decade of the 20th century witnessed a marked rejuvenation of Spanish cinema, especially among directors. In the dozen years from 1990 through 2001, 251 first-time directors made their first feature film. Moreover, since 1998, films directed by new filmmakers have been among the most commercially successful movies in Spain each year. It seems clear that at the start of the 21st century, movies directed by filmmakers who emerged during the previous decade have become the backbone of the Spanish industry in terms of box-office receipts. The writer goes on to discuss two characteristics of the work being produced by these filmmakers: their inclination to deal with issues relating to the present rather than the past, and the way they mix different genres." [Art Index]

Hernandez, Santiago Fouz. Perriam, Chris.
"Beyond Almodovar: 'Homosexuality' in Spanish Cinema of the 1990s." In: Territories of desire in queer culture: refiguring contemporary boundaries / edited by David Alderson and Linda Anderson. pp: 96-111. Manchester, U.K.; New York: Manchester University Press: Distributed exclusively in the USA by St. Martin's Press, 2000.
Main Stack HQ76.25.T477 2000

Higginbotham, Virginia
Spanish Film under Franco / Virginia Higginbotham. 1st ed. Austin: University of Texas Press, 1988.
UCB Main PN1993.5.S7 H54 1988

Hoefert de Turégano, Teresa
"The International Politics of Cinematic Coproduction." Film and History, vol. 34, no. 2, pp. 15-24, 2004.
UC users only
"Part of a special section on Latin American film and history. The writer discusses the international politics at work in cinematic coproductions between Spain and Latin America. In Latin American countries, film production and consumption have from the start been characterized by their transnationality. In the prevailing context of growing globalization and transnationalism, there has been a concurrent amount of cinematic coproduction between European and developing nations, which deserves attention for political, cultural, and aesthetic reasons. The writer examines Spanish activity in Latin American film production during the 1990s in order to reveal some of the structuring patterns of a transnational context of independent coproduction. Connecting policy analysis and aesthetics, she argues that Spanish coproduction policy regarding Latin America has in some cases been conducive to a certain type of cinema. She contends that many of these films simultaneously emphasize national and local identities along with a determinate universalizing appeal, apparently aware of the international market and its hegemonic trends." [Art Index]

Holguín, Sandie.
"Taming The Seventh Art: The Battle For Cultural Unity On The Cinematographic Front During Spain's Second Republic, 1931-1936."Journal of Modern History 1999 71(4): 852-881.
UC users only
"During the second republic in Spain, officials and others supported educational films as a vehicle for transforming society. Film, they believed, would help prepare Spanish citizens for better education and hence, technological development. They saw it as a panacea for educational reform. However, moderates rejected the propagandistic films proposed by those on the political extremes until 1936, when the republic was threatened by the armies of Francisco Franco." [Historical Abstracts]

Hopewell, John.
Out of the Past: Spanish Cinema After Franco / John Hopewell. London: BFI Books, 1986.
UCB Grad Svcs PN1993.5.S7 H661 1986

Jones, Banjamin.
"The new Almodovars." (director Pedro Almodovar; Spain's film industry)(Capitals: Cinema) Europe, n379 (Sept, 1998):36 (2 pages).
Spain is witnessing an evident increase in the number of aspiring film directors who wish to follow in the footsteps of Pedro Almodovar, Julio Medem, Alex de la Iglesia, Juanma Bajo Ullua and Alejandro Amenabar. Film schools led by the Escuela de Cinematografia y del Audiovisual de Madrid are recording increased enrollment. The rising number of aspirants comes as movie attendance is surging, especially for locally made films. Spanish films accounted for 13% of total ticket sales in 1997, with Spanish top-grossers earning more than the previous year's blockbusters.

Jordan, Barry.
Contemporary Spanish Cinema / Barry Jordanand Rikki Morgan-Tamosunas. Manchester; New York: Manchester University Press, 1998.
UCB Main PN1993.5.S7 J6 1998
Contents via Google Books

Jordan, Barry.
"Genre Cinema in Spain in the 1970's: The Case of Comedy." Revista Canadiense de Estudios Hispanicos, vol. 20 no. 1. 1995 Fall. pp: 127-41.

Jordan, Barry.
How Spanish Is It? Spanish Cinema and National Identity." In: Contemporary Spanish cultural studies / edited by Barry Jordan and Rikki Morgan-Tamosunas. pp: 68-78. London: Arnold; New York: Co-published in the United States of America by Oxford University Press, 2000.
Grad Svcs DP48.C66 2000 Non-circulating; may be used only in Graduate Services.
Main Stack DP48.C66 2000

Kinder, Marsha.
Blood Cinema: The Reconstruction of National Identity in Spain / by Marsha Kinder. Berkeley: University of California Press, c1993.
UCB Main PN1993.5.S7 K5 1993

Kinder, Marsha.
"The Children of Franco in the New Spanish Cinema." Quarterly Review of Film and Video, vol. 8 no. 2. 1983 Spring. pp: 57-76.

Kinder, Marsha (ed. & introd.)
"Remapping the PostFranco Cinema." Quarterly Review of Film and Video, vol. 13 no. 4. 1991.

Kinder, Marsha.
"The Spanish Oedipal Narrative from Raza to Bilbao." Quarterly Review of Film and Video, vol. 13 no. 4. 1991. pp: 67-94.

Kovacs, Katherine S.
"The Plain in Spain: Geography and National Identity in Spanish Cinema." Quarterly Review of Film and Video, vol. 13 no. 4. 1991. pp: 17-46.
"Geography is an important metaphor in Spanish cinema, reflecting Spain's political and social isolation from the rest of Europe, and its inner struggles. The Castilian plains have been a staple of Spanish films since the silent era and are featured in the work of directors such as Luis Bunuel and Carlos Saura. More recently, Spanish films have used the forests of Northern Spain as a setting, mirroring the ascendancy of non-Castilian concerns in Spain." [Expanded Academic Index]

Kovacs, Katherine S. (ed.)
"The New Spanish Cinema." Quarterly Review of Film Studies, vol. 8 no. 2. 1983 Spring.

Labanyi, Jo
"Race, Gender and Disavowal in Spanish Cinema of the Early Franco Period: The Missionary Film and the Folkloric Musical." Screen, 1997 Autumn, 38:3, 215-31.
"The writer discusses Spanish cinema of the early Franco period, examining two genres: the missionary film and the folkloric musical. It is usually assumed that the cinema of this period acted as the mouthpiece for the Franco regime. However, although both the missionary film and the folkloric musical certainly served the regime's interests, they also permit resistant readings in their treatment of racial, class, and gender issues. The treatment of race is inextricably linked to that of gender in both the missionary film and the folkloric musical, where the racial other is presented as a female or as a feminized male. This leads to the fetishization of the other whose purpose is the repudiation of difference, a process which attempts to handle the threat of racial and sexual otherness by fostering a high level of identification with it among spectators. In encouraging identification with a feminine other, these films undermined the patriarchal emphasis of prevailing Francoist discourse." [Art Index]

Larraz, Emmanuel.
El Cine Español [textos escogidos y presentados por] Emmanuel Larraz. Paris, Masson, 1973. Series title: Regards sur le monde hispanique, 11.
UCB Main PN1993.5.S7 L3 1973

Larraz, Emmanuel.
Le Cinema Espagñol des Origines a Nos Jours / Emmanuel Larraz; preface de Luis Garcia Berlanga. Paris: Cerf, 1986. Series title: Collection "Septieme art"; 77.
UCB Main PN1993.5.S7 L33 1986

Letamendi Garate, Jon.
Los origenes del cine en Cataluña Barcelona : Generalitat de Catalunya, Institut Catal`a de les Industries Culturals ; [San Sebastian] : Euskandiko Filmategia = Filmoteca Vasca, 2004.
PFA : PN1993.5.S7 L47 2004

Lopez Clemente, Jose.
Cine Documental Español / Jose Lopez Clemente. Madrid: Ediciones Rialp, 1960. Series title: Libros de cine: Serie B; 23.
UCB Main PN1995.9.D6 L6

Marsh, Steven
Popular Spanish film under Franco : comedy and the weakening of the state Basingstoke [England] ; New York : Palgrave Macmillan, 2006.
MAIN: PN1993.5.S7 M2939 2006
PFA : PN1993.5.S7 M2939 2006

Martin-Marquez, Susan.
Feminist discourse and Spanish cinema: sight unseen Oxford; New York: Oxford University Press, 1999.
UCB Main PN1995.9.W6 M358 1999;

Martinez, Josefina.
Los Primeros Veinticinco Anos de Cine en Madrid: 1896-1920 / Josefina Martinez. Madrid: Filmoteca Española, Instituto de la Cinematografia y de las Artes Audiovisuales, Ministerio de Cultura: Consorcio Madrid 92, 1992.
NRLF C 2 968 662

Mendez-Leite, Fernando.
Historia del Cine Español / Fernando Mendez-Leite. Madrid: Ediciones Rialp, 1965. Series title: Libros de cine, ser. A, no. 4.
UCB Main PN1993.5.S7 M4 1965 1-2 (1965) AT NRLF: Some volumes in NRLF
NRLF PN1993.5.S7 M4 1965 Some volumes in NRLF Type EXP NRLF for loan details.

Michalczyk, John J.
Andre Malraux's Espoir: The Propaganda/Art Film and the Spanish Civil War / by John J. Michalczyk. University, Miss.: Romance Monographs, inc., 1977. Series title: Romance monographs; no. 27.
UCB Main PQ2625.Ma716 .E786

Melero, Alejandro.
"'El paseo de los tristes': Homosexuality as tragedy in the Spanish films of the 1960s." International Journal of Iberian Studies, Oct2010, Vol. 23 Issue 3, p141-157, 17p;
UC users only

Millan, Juan Antonio Perez.
"Women Are Also the Future: Women Directors in Recent Spanish Cinema." Cineaste. 29(1):50-55. 2003 Winter

Minguet Batllori, Joan M.
"Early Spanish Cinema and the Problem of Modernity." Film History: An International Journal, vol. 16, no. 1, pp. 92-107, 2004
UC users only
"There are unmistakable signs that throughout the 1910s, the presence of cinema was becoming inescapable in the dominant cultural systems in Spain. The increasing popularity of moving pictures was a factor in preventing their popularity within dominant classes. However, the presence of cinema in establishment circles and timid demand for recognition was to be transformed into dominance. This slow introduction of cinema into "high culture" during the 1910s can be briefly explained by three factors: educational cinema as a possibility for salvation, the monopolization of film reviewing by Madrid-based intellectuals, and cinema's gradual acceptance within modernist circles. Though truly modern cinema would not occur in Spain until well into the 1920s, even during the 1910s there were Spanish filmmakers who tried to fight against the prevailing opposition to cinema, and who created films that merit the attention of today's film scholars and historians. The work of Segundo de Chomon, Albert Marro, Joan Maria Codina, Adria Gual and Magi Muria, and Jose de Togores is discussed." [Art Index]

Minguez, Norberto.
Spanish film and the postwar novel: reading and watching narrative texts Westport, Conn.: Praeger, 2002.
UCB MAIN: PN1993.5.S7 M55 2002

Mira, Alberto
"Transformations of the urban landscape in Spanish Film Noir." In: Spaces in European cinema / edited by Myrto Konstantarakos. Exeter, England ; Portland, OR : Intellect, 2000.
Main Stack PN1993.5.E8.S69 2000

Miradas glocales : cine español en el cambio de milenio
Burkhard Pohl, Jorg Turschmann (eds.). Madrid : Iberoamericana ; Frankfurt am Main : Vervuert, 2007.
MAIN: PN1993.5.S7 M57 2007

Modes of Representation in Spanish Cinema
Jenaro Talens and Santos Zunzunegui, editors; foreword by Tom Conley. Minneapolis: University of Minnesota Press, c1998. Series title: Hispanic issues 16.
UCB Main PN1993.5.S7 M58 1998

Molina Gavilan, Yolanda. Di Salvo, Thomas.
"Policing Spanish/European Borders: Xenophobia and Racism in Contemporary Spanish Cinema." Ciberletras. 5:(no pagination). 2001 Aug

Molina-Foix, Vicente
New Cinema in Spain / Vicente Molina-Foix. London: British Film Institute, 1977.
UCB Main PN1993.5 .S7M6

Monteath, Peter
The Spanish Civil War in Literature, Film, and Art: An International Bibliography of Secondary Literature / compiled by Peter Monteath. Westport, Conn.: Greenwood Press, 1994. Series title: Bibliographies and indexes in world literature no. 43
UCB Main DP269.8.L5 A12 M66, 1994

Mora, Carl J.
"The Odyssey of Spanish Cinema." New Orleans Review, vol. 14 no. 1. 1987 Spring. pp: 7-20.

Morgan, Rikki.
"Nostalgia and the Contemporary Spanish Musical Film." Revista Canadiense de Estudios Hispanicos, vol. 20 no. 1. 1995 Fall. pp: 151-66.

Mortimore, Roger
"Spain: out of the past." Sight & Sound; Vol.XLIII nr.4 (Autumn 1974); p.199-202
Discusses the emergence of a new Spanish cinema following the success of "El espíritu de la colmena" and "La prima Angélica", and a reduction in censorship.

Mosier, John (ed.)
"The Spanish Cinema: Introduction." New Orleans Review, vol. 14 no. 1. 1987 Spring. pp: 5-30.

Oms, Marcel
La Guerre d'Espagne au Cinema / Marcel Oms; preface de Pierre Broue. Paris: Editions du Cerf, 1986. Series title: Collection "Septieme art"; 78.
UCB Main DP269.8.M6 O4721 1986

100 years of Spanish cinema
Tatjana Pavlovic' ... [et al.]. Malden, MA : Wiley-Blackwell, 2009.
Full-text available online (UC Berkeley users only)
Main (Gardner) Stacks PN1993.5.S72 A15 2009

Pavlovic, Tatjana.
Despotic bodies and transgressive bodies : Spanish culture from Francisco Franco to Jesus Franco Albany, N.Y. : State University of New York Press, c2003.
MAIN: NX562.A1 P39 2003
Contents via Google Books

Perez Merinero, Carlos
Cine Español: Algunos Materiales por Derribo [por] Carlos y David Perez Merinero. Madrid, EDICUSA, 1973. Series title: Coleccion Los Suplementos, 41.
NRLF $C 215 841

Perez Merinero, Carlos
Cine Español, una Reinterpretacion / Carlos y David Perez Merinero. Barcelona: Editorial Anagrama, c1976. Series title: Cuadernos Anagrama; 122: Serie Cine.
UCB Main PN1993.5 .S7P381

Perez Millan, Juan Antonio.
"Women are also the future: women directors in recent Spanish cinema." Cineaste Winter 2003 v29 i1 p50(6) (4515 words)
UC users only
" The 1980s saw the rise of female film directors in Spanish cinema, led by Pilar Miró and Josefina Molina. Spanish women directors who have made a difference since the 1980s are profiled: Miró, Molina, Icíar Bollain, Josefina Molina, Chus Guitiérrez, Cecilia Bartolom, Patricia Ferreira, and Isabel Coixet."

Perriam, Christopher.
Stars and masculinities in Spanish cinema : from Banderas to Bardem Oxford ; New York : Oxford University Press, 2003.
UCB MAIN: PN1993.5.S7 P43 2003

Pingree, Geoffrey B.
"Franco And The Filmmakers: Critical Myths, Transparent Realities." Film-Historia [Spain] 1995 5(2-3): 183-200.
"Considers how actual images of Francisco Franco have been used in films of varying views to construct, destroy, and/or reconstruct some version of a Franco myth. Although the author devotes his analysis primarily to two pairs of films - José Luis S�enz de Heredia's Raza (Espíritu de una Raza) (1941) and Gonzalo Herralde's Raza, el Espíritu de Franco (1977) and S�enz de Heredia's Franco, Ese Hombre (1964) and Basilio Martín Patino's Caudillo (1974-77) - he supplements the discussion with examples from propaganda films made during the Spanish Civil War and noticiarios documentales made later. At an obvious level, the films mentioned form natural antitheatrical pairs because of their starkly conflicting conceptions of Franco (as a divinely chosen, heroic leader or a deceptive, calculating tyrant); the latter film in each respective pair was made, in some degree, as a political response to the former. Yet these simple surface oppositions actually obscure many shared strategies of representation. For instance, the propagandistic use of both documentary as well as "fictional" images in these films raises important questions about how images can be used as evidence to construct accounts of past realities. The use of a certain kind of subversive myths to critique or dismantle other more traditional or naive myths (Patino's attempt in Caudillo, for example, to critique S�enz de Heredia's earlier servile account of Franco's life by using similar documentary footage, re-edited, and with an ironic tone) encourages a reconsideration of some of the apparent distinctions by which "realistic" modes of representation (like documentary and history) overwhelm "imaginary" ones (like fiction and myth). Indeed, on the whole these films employ modes of representation in ways that challenge any simple distinctions we might make between "myth" and other more "credible" forms of representation. In examining these films, the author not only discusses the general mythology of Franco, but raises questions surrounding the use (often facile) of visual images as evidence in building, tearing down, and rebuilding the narratives through which historical figures and events are interpreted and understood. Raising such questions not only complicates some myths about Franco, but challenges some myths about mythmaking itself." [Historical Abstracts]

Pitt, David E.
"Films reflect a brash new Spain." (Spanish movie makers and their films) . The New York Times Sept 18, 1988 v138 s2 pH1(N) pH1(L) col 2 (50 col in)

Porter i Moix, Miquel.
Adria Gual i el Cinema Primitiu de Catalunya, 1897-1916 / Miquel Porter i Moix. Barcelona: Publicacions i Edicions de la Universitat de Barcelona, 1985.
UCB Main PN1993.5.S7 P55 1985

Porter i Moix, Miquel.
Cine en España: una Guia Informativa / Miquel Porter-Moix, Jose E. Monterde, Esteve Riambau. Barcelona: Ediciones Don Bosco, c1976. Series title: Coleccion Libros audiovisuales Edebe; 2: Serie negra.
NRLF B 3 567 550

Porter i Moix, Miquel.
Historia del Cinema a Catalunya (1895-1990) / Miquel Porter i Moix. 1. ed. Barcelona: Generalitat de Catalunya, Departament de Cultura, 1992.
UCB Main PN1993.5.S7 P67 1992

Porter i Moix, Miquel.
Historia del Cinema Catala (1895-1968) [por] Miquel Porter-Moix [i] M.a Teresa Ros Vilella. [Barcelona] Editorial Taber [1969]. Series title: Biblioteca de la cultura catalana.
NRLF $C 67 532

Pozo Arenas, Santiago
La Industria del Cine en España: Legislacion y Aspectos Economicos, 1896-1970 / Santiago Pozo Arenas; prologo de J.M. Caparros Lera. [Barcelona] Publicacions i Edicions de la Universitat de Barcelona, 1984.
UCB Main PN1993.5.S7 P6 1984

Refiguring Spain: Cinema, Media, Representation
Marsha Kinder, editor. Durham: Duke University Press, 1997.
UCB Main PN1993.5.S7 R35 1997

Resina, Joan Ramon
"Historical Discourse and the Propaganda Film: Reporting the Revolution in Barcelona." New Literary History: A Journal of Theory and Interpretation 1998 Winter, 29:1, 67-84.

Restivo, Angelo
"The economic miracle and its discontents. Bandit films in Spain and Italy." Film Quarterly; Vol.XLIX nr.2 (Winter 1995-96); p.30-40
UC users only
Considers reasons for the trend of bandit films in Spain and Italy during the early 1960's, paying special attention to "Llanto por un bandido", "Banditi a Orgosolo", Salvatore Giuliano", as well as Sam Peckinpah's 'ultimate bandit film', "Pat Garrett & Billy the Kid".

Riambau, Esteve
"Public Money and Private Business or How to Survive Hollywood's Imperialism: Film Production in Spain (1984-2002)." Cineaste. 29(1):56-61. 2003 Winter
UC users only

Riambau, Esteve
Temps Era Temps: El Cinema de l'Escola de Barcelona i el Seu Entorn / Esteve Riambau, Casimiro Torreiro. 1. ed. Barcelona: Generalitat de Catalunya, Departament de Cultura, 1993. Series title: Cultura cinematografia.
NRLF B 4 000 082

Riambau, Esteve
La Escuela de Barcelona: el cine de la gauche divine Barcelona: Anagrama, 1999.
UCB Main PN1993.5.S7 R536 1999;

Richardson, Nathan E.
Constructing Spain : the re-imagination of space and place in fiction and film, 1953-2003 Lewisburg [Pa.] : Bucknell University Press ; Lanham, Md. : Co-published with Rowman & Littlefield Publishers, c2012.
Main (Gardner) Stacks PQ6144 .R43 2012

Richardson, Nathan E.
Postmodern paletos: immigration, democracy, and globalization in Spanish narrative and film, 1950-2000 Lewisburg [Pa.]: Bucknell University Press; London; Cranbury, NJ: Associated University Presses, c2002.
UCB Main PQ6140.R87 R53 2002

Richardson, Nathan E.
"Sacred Spain: creative destruction in the Spanish cinema, 1961-2000." In: Constructing Spain : the re-imagination of space and place in fiction and film, 1953-2003 / Nathan Richardson. Lewisburg [Pa.] : Bucknell University Press ; Lanham, Md. : Co-published with Rowman & Littlefield Publishers, c2012.
Main (Gardner) Stacks PQ6144 .R43 2012

Rix, Rob
"Spanish and Latin American cinema." In: The companion to Hispanic studies / edited by Catherine Davies. London : Arnold ; New York : Oxford University Press, c2002.
Main Stack CB226.C66 2002b

Rodrigo, Pedro
Enciclopedia del Cine. [1. ed.]. Barcelona, De Gasso Hnos. [1967]. Series title: Enciclopedias De Gasso.
UCB Main PN1993.45 .R6 ( NRLF $B 185 362)

Romaguera i Ramio, Joaquim.
Quan el Cinema Comenca a Parlar en Catala: 1927-1934 / Joaquim Romaguera i Ramio. Barcelona: Fundacio Institut del Cinema Catala, c1992. Series title: Col leccio Orphea; 3.
UCB Main PN1993.5.S7 R65 1992

Rosendorf, Neal Moses.
"'Hollywood In Madrid': American Film Producers And The Franco Regime, 1950-1970" Historical Journal of Film, Radio, and Television. Mar 2007. Vol. 27, Iss. 1; pg. 77

Sanchez Barba, Francesc
Brumas del franquismo : el auge del cine negro español (1950-1965) Barcelona : Universitat de Barcelona, [2007].
MAIN: PN1995.9.F54 S28 2007

Santaolalla, Isabel.
"The Representation of Ethnicity and 'Race' in Contemporary Spanish Cinema." Cineaste. 29(1):44-49. 2003 Winter

Saz, Sara M.
"Society and Film in Post-Franco Spain: Confessions of a Congressman as a Quirk of Tradition." Cinefocus, 1996, 4, 64-71.

Schaefer, Claudia
Bored to distraction : cinema of excess in end-of-the-century Mexico and Spain / Claudia Schaefer. Albany : State University of New York Press, c2003. SUNY series in Latin American and Iberian thought and culture.
Main Stack PN1993.5.M4.S32 2003

Schwartz, Ronald
Great Spanish films since 1950 / Ronald Schwartz. Lanham, Md. : Scarecrow Press, 2008.
Main (Gardner) Stacks PN1993.5.S7 S29 2008

Schwartz, Ronald
The Great Spanish Films, 1950-1990 / by Ronald Schwartz. Metuchen, N.J.: Scarecrow Press, 1991.
UCB Main PN1993.5.S7 S29 1991

Schwartz, Ronald
Spanish Film Directors (1950-1985): 21 Profiles / by Ronald Schwartz. Metuchen, N.J.: Scarecrow Press, 1986.
UCB Main PN1993.5.S7 S31 1986

Sinclair, Alison
"Interior and Internal Spain: Visions of the Primitive at the Cultural Interface." Romance Studies, vol. 22, no. 3, pp. 209-21, November 2004.

Smith, Paul Julian.
Laws of Desire: Questions of Homosexuality in Spanish Writing and Film, 1960-1990 / Paul Julian Smith. Oxford: Clarendon Press; New York: Oxford University Press, 1992.
UCB Main PQ6073.H65 S45 1992
UCB Moffitt PQ6073.H65 S45 1992

Smith, Paul Julian.
Vision Machines: Cinema, Literature, and Sexuality in Spain and Cuba, 1983-93 / Paul Julian Smith. London; New York: Verso, 1996. Series title: Critical studies in Latin American and Iberian cultures.
UCB Main PN1993.5.S7 S53 1996
Contents via Google Books

Spanish cinema: the auteurist tradition
Edited by Peter William Evans. Oxford: Oxford University Press, 1999.
UCB Main PN1993.5.S7 S635 1999

Spanish cultural studies : an introduction : the struggle for modernity
Edited by Helen Graham and Jo Labanyi. Oxford ; New York : Oxford University Press, 1995.
Main Stack DP233.5.S7 1995

Spanish film, theatre and literature in the twentieth century : essays in honour of Derek Gagen
Ddited by David George and John London. Cardiff : University of Wales Press, 2007.
Main (Gardner) Stacks PN2784 .S63 2007

"Spanish filmakers forum." (Interview) Cineaste Winter 2003 v29 i1 p62(3) (3074 words)
UC users only

Spanish popular cinema
Edited by Antonio Lazaro-Reboll and Andrew Willis. Manchester ; New York : Manchester University Press ; New York, NY : Distributed exclusively in the USA by Palgrave, 2004.
GRDS: PN1993.5.S7 S74 2004; Non-circulating; may be used only in Graduate Services.
MAIN: PN1993.5.S7 S74 2004

Spanishness in the Spanish novel and cinema of the 20th - 21st century
Edited by Cristina Sánchez-Conejero. Newcastle, UK : Cambridge Scholars, 2007.
Main (Gardner) Stacks PQ6073.N3 S64 2007

Stone, Rob.
Spanish cinema Harlow, England; New York: Longman, 2002.
UCB Main PN1993.5.S7 S76 2002

The Surrealist Adventure in Spain
edited by C. Brian Morris. Ottawa, Canada: Dovehouse Editions, 1991. Series title: Ottawa Hispanic studies; 6.
UCB Main NX562.A1 S87 1991

Torres, Augusto M.
Diccionario del Cine Español / Augusto M. Torres. Madrid: Espasa, c1999.
UCB Main PN1993.5.S7 T69 1999
UCB Main PN1993.5.S7 T67 1994 (earlier edition)

Trece Años de Cine Español: Fichas de Todas las Peliculas Españolas del Periodo 1983-1995 y una "Relacion-Guia" de 3,500 Titulos del Cine Español Desde los Años Rreinta, Hasta 1995. Madrid: Editorial Edice, [1995]. Series title: Pantalla 90.
UCB Main PN1993.5.S7 T74 1995

Triana-Toribio, Nuria.
Spanish national cinema London : Routledge, 2003.
UCB MAIN: PN1993.5.S7 T76 2003
Contents via Google Books

Utrera, Rafael.
Escritores y Cinema en España: un Acercamiento Historico / Rafael Utrera. Madrid: Ediciones JC, [1985?]. Series title: Coleccion Imagenes; no. 6.
UCB Main PN1995.3 .U871 1985

Urioste-Azcorra, Carmen de.
"Fifteen Years of Spanish Cinematography: Films in Context." RLA: Romance Languages Annual, vol. 3. 1991. pp: 607-09.

Valleau, Marjorie A.
The Spanish Civil War in American and European Films / by Marjorie A. Valleau. Ann Arbor, Mich.: UMI Research Press, c1982. Series title: Studies in cinema; no. 18.
UCB Main DP269.8.M6 .V34 1982

Van Liew, Maria.
"Transitional visibility in Poachers: The nature of female violence in the cinema of post-Franco Spain." Quarterly Review of Film and Video. Oct 2001. Vol. 18, Iss. 4; p. 425

Villegas Lopez, Manuel.
Nuevo Cine Español. San Sebastian, Spain, XV Festival Internacional del Cine, 1967.
UCB Main PN1993.5.S7 V5

Viota, Paulino.
El Cine Militante en España Durante el Franquismo / Paulino Viota. la ed. Mexico, D.F.: Filmoteca de la UNAM, 1982. Series title: Textos breves (Mexico City, Mexico); 3.
UCB Main PN1993.5.S7 V56 1982

Visualizing Spanish modernity
Edited by Susan Larson and Eva Woods. Oxford ; New York : Berg, 2005.
Main Stack DP203.5.V58 2005
Table of contents http://www.loc.gov/catdir/toc/ecip0515/2005017026.html

Vizcaino Casas, Fernando
Diccionario del Cine Español, 1896-1966. 2. ed. Madrid, Editora Nacional, 1968. Series title: Mundo cientifica. Serie cinematografia.
NRLF C 2 530 015

West, Dennis.
"Contemporary Spanish Cinema: A Guide to Resources." Cineaste. 29(1):65-66. 2003 Winter
UC Berkeley users only

Willis, Andrew
"The Spanish horror film as subversive text: Eloy de la Iglesia's La semana del asesino." In: Horror international / edited by Steven Jay Schneider and Tony Williams. Detroit : Wayne State University Press, c2005.
Main Stack PN1995.9.H6.H73 2005

Women's narrative and film in twentieth-century Spain: a world of difference(s)
Ofelia Ferran and Kathleen M. Glenn, editors. New York: Routledge, 2002.
MAIN: NX562.A1 W66 2002

Zecchi, Barbara
"All about Mothers: Pronatalist Discourses in Contemporary Spanish Cinema." College Literature, vol. 32, no. 1, pp. 146-64, Winter 2005.
UC users only

Works on Individual Directors

Pedro Almodovar

SEE separate Almodovar bibliography

Alejandro Amenábar

Maule, Rosanna
"Cultural Specificity and Transnational Address in the New Generation of Spanish Film Authors: The Case of Alejandro Amenábar." In: Spanishness in the Spanish novel and cinema of the 20th - 21st century / edited by Cristina S�nchez Newcastle, UK : Cambridge Scholars, 2007.
Main (Gardner) Stacks PQ6073.N3 S64 2007

Open Your Eyes (Abre los ojos)

Herbert, Daniel.
"Sky's the Limit: Transnationality and Identity in Abre los ojos and Vanilla Sky." Film Quarterly, vol. 60, no. 1, pp. 28-38, Fall 2006
UC users only

Knollmueller, Marit.
"Death Is a Dream: Placing Abre los ojos in a Spanish Tradition." Studies in European Cinema, vol. 6, no. 2-3, pp. 203-214, 2009
UC users only

Laraway, David.
"Alejandro Amenábar and the Embodiment of Skepticism in Abre Los Ojos." Hispanofila, may2008, Issue 153, p65-77, 13p
UC users only

Maule, Rosanna.
"A Different Type of Cinephilia: Alejandro Amenábar and the New Generation of Spanish Film Authors." In: Beyond auteurism: new directions in authorial film practices in France, Italy Bristol, UK ; Chicago, USA : Intellect, c2008.
Full text available online [UCB users only]

Perri, Dennis.
Amenábar's Abre los ojos: The Posthuman Subject." Hispanofila, sep2008, Issue 154, p89-98, 10p
UC users only

Richardson, Nathan E.
"Youth Culture, Visual Spain, and the Limits of History in Alejandro Amenábar's Abre los ojos." Revista Canadiense de Estudios Hispánicos, vol. 27, no. 2, pp. 327-46, 2003 Winter
UC users only

Simerka, Barbara; Weimer, Christopher.
"Tom Cruise and the Seven Dwarves: Cinematic Postmodernisms in Abre los ojos and Vanilla Sky." American Drama, Summer2005, Vol. 14 Issue 2, p1-15, 15p
UC users only

Smith, Paul Julian.
"High Anxiety: Abre los Ojos/Vanilla Sky." Journal of Romance Studies, vol. 4, no. 1, pp. 91-102, Spring 2004
UC users only

White, Anne M.
"Seeing double? The remaking of Alejandro's Amenábar's Abre los ojos as Cameron Crowe's Vanilla Sky." International Journal of Iberian Studies, 2002, Vol. 15 Issue 3, p187, 10p
UC users only

Wilson, D. Harlan:
"Terminal Constructedness and the Technology of the Self in Cameron Crowe's Vanilla Sky" Extrapolation: A Journal of Science Fiction and Fantasy, (47:2), 2006 Summer, 259-79. (2006)
UC users only

The Others

Briefel, Aviva.
"What Some Ghosts Don't Know: Spectral Incognizance and the Horror Film." Narrative, vol. 17, no. 1, pp. 95-110, 2009 Jan
UC users only

Bruce, Susan.
"Sympathy For the Dead: (G)hosts, Hostilities and Mediums in Alejandro Amenábar's The Others and Postmortem Photography." Discourse: Journal for Theoretical Studies in Media & Culture, Spring2005, Vol. 27 Issue 2/3, p21-40, 20p
UC users only

Burkholder-Mosco, Nicole.
""Wondrous Material to Play On": Children as Sites of Gothic Liminality in the "Turn of the Screw," "The Innocents," and "The Others."" Studies in the Humanities, Dec2005, Vol. 32 Issue 2, p201-220, 22p
UC users only

Flory, Dan.
"Cinematic Presupposition, Race, and Epistemological Twist Films." Journal of Aesthetics & Art Criticism; Fall2010, Vol. 68 Issue 4, p379-387, 9p
UC users only

Lewis, John
"'Mother oh God Mother...': Analysing the 'Horror' of Single Mothers in Contemporary Hollywood Horror." Scope: An Online Journal of Film Studies, vol. 2, 2005 June

Rodriguez, Rene.
"Alejandro Amenábar Scares With Silence." Hispanic, Sep2001, Vol. 14 Issue 9, p108, 2p
UC users only

Whitesell, Lloyd.
"Quieting the Ghosts in The Sixth Sense and The Others." In: Music in the horror film : listening to fear / edited by Neil Lerner. New York : Routledge, 2010.
Music ML2075 .M879 2010

The Sea Inside (Mar adentro)

Carrey, Normand.
"Spheres of influence." CMAJ: Canadian Medical Association Journal; 1/17/2006, Vol. 174 Issue 2, p209-210, 2p

Fleischer, Doris Zames; Zames, Frieda
"Compassionate Killings." Disability Studies Quarterly, vol. 25, no. 3, 2005 Summer

Kloepfer, Rolf
"'The Sea Inside': On the Principles of One's Own Performance of the Other." In: Narration and spectatorship in moving images / edited by Joseph D. Anderson and Barbara Fisher Anderson. Newcastle, U.K. : Cambridge Scholars Pub., 2007.
Main (Gardner) Stacks PN1995.9.A8 N37 2007

Sklar, Robert.
"The Sea Inside." Cineaste, Spring2005, Vol. 30 Issue 2, p52-53, 2p

Shneidman, Edwin
"A Thanatological Masterpiece." PsycCRITIQUES, Vol 50 (38), 2005

Wilson, Vicky.
"The Sea Inside." Sight & Sound, Mar2005, Vol. 15 Issue 3, p71-72, 2p

Tesis

Amago, Samuel.
"Horror and Ambivalence in Tesis: Alejandro Amenábar's Reflections on the Postmodern Condition." Revista de Estudios Hispanicos, ene2004, Vol. 38 Issue 1, p143-158, 16p
<

Buckley, Christina A.
"Alejandro Amenábar's Tesis: Art, Commerce and Renewal in Spanish Cinema." Post Script, Winter/Spring2002, Vol. 21 Issue 2, p12-25, 14p, 2

Jordan, Barry
"Genre and Screen Violence: Revisiting Tesis (Alejandro Amenábar, 1995)." In: Burning darkness : a half century of Spanish cinema / edited by Joan Ramon Resina ; with the assista Albany : SUNY Press, c2008.
Main (Gardner) Stacks PN1993.5.S7 B87 2008

La Caze, Marguerite
"The violence of the spectacle." Kinoeye, Vol 3 Issue 5 10 May 2003

Maule, Rosanna.
"A Different Type of Cinephilia: Alejandro Amenábar and the New Generation of Spanish Film Authors." In: Beyond auteurism: new directions in authorial film practices in France, Italy Bristol, UK ; Chicago, USA : Intellect, c2008.
Full text available online [UCB users only]

Maule, Rosanna.
"Death and Reflexivity in Alejandro Amenábar's Tesis." Torre de Papel, vol. 10, no. 1, pp. 65-76, 2000 Spring

Moreiras Menor, Cristina
"Spectacle, Trauma and Violence in Contemporary Spain." In: Contemporary Spanish cultural studies / edited by Barry Jordan and Rikki Morgan-Tamosunas. London : Arnold ; New York : Oxford University Press, 2000.
Graduate Services DP48 .C66 2000
Main (Gardner) Stacks DP48 .C66 2000
Pacific Film Archive DP48 .C66 2000

Rodriguez-Ortega, Vicente
"'Snuffing' Hollywood: Transmedia Horror in Tesis." Senses of Cinema: An Online Film Journal Devoted to the Serious and Eclectic Discussion of Cinema, vol. 36, 2005 July-Aug

Russell, Dominique
"Sounds Like Horror: Alejandro Amenábar's Thesis on Audio-Visual Violence." Canadian Journal of Film Studies/Revue Canadienne d'Études Cinématographiques, vol. 15, no. 2, pp. 81-95, 2006 Fall
UCB users only

Zatlin, Phyllis
"You Are Being Watched: Metafilmic Devices in Tesis." Letras Peninsulares, vol. 14, no. 2, pp. 243-53, 2001 Fall

Luis Bunuel

SEE separate Bunuel bibliography

UCB Student Essays on Bunuel (Film 51)

Guillermo del Toro

Chun, Kimberly
"What is a Ghost? An Interview with Guillermo Del Toro." Cineaste: America's Leading Magazine on the Art and Politics of the Cinema, 27, no. 2, pp. 28-31, April 2002
UC users only

Rouyer, Philippe; Vié, Caroline
"Entretien avec Guillermo del Toro: Le Monde fictif n'est pas un refuge." Positif: Revue Mensuelle de Cinéma, vol. 549, pp. 9-13, November 2006

The Devil's Backbone

Brinks, Ellen.
""Nobody's Children": Gothic Representation and Traumatic History in The Devil's Backbone." JAC: A Journal of Composition Theory, 2004, Vol. 24 Issue 2, p291-312, 22p

Davies, Ann.
"The Beautiful and the Monstrous Masculine: The Male Body and Horror in El espinazo del diablo (Guillermo del Toro 2001)." Studies in Hispanic Cinema; 2007, Vol. 3 Issue 3, p135-147, 13p
UC users only

Lázaro-Reboll, Antonio.
"The Transnational Reception of El espinazo del diablo (Guillermo del Toro 2001)." Hispanic Research Journal, Feb2007, Vol. 8 Issue 1, p39-51, 13p
UC users only

Savage, Julian
"The Object(s) of Interpretation: Guillermo Del Toro's El Espinazo Del Diablo (The Devil's Backbone)" Senses of Cinema: An Online Film Journal Devoted to the Serious and Eclectic Discussion of Cinema, vol. 21, pp. (no pagination), July 2002

Pan's Labyrinth

Atkinson, Michael.
"Moral Horrors in Guillermo Del Toro's Pan's Labyrinth, the Supernatural Realm Mirrors Man's Inhumanity to Man." Film Comment, Jan/Feb2007, Vol. 43 Issue 1, p50-53, 4p
UC users only

Clark, Roger; McDonald, Keith
"'A Constant Transit of Finding': Fantasy as Realisation in Pan's Labyrinth." Children's Literature in Education: An International Quarterly, vol. 41, no. 1, pp. 52-63, Mar 2010
UC users only

Davies, Ann.
"The Beautiful and the Monstrous Masculine: The Male Body and Horror in El espinazo del diablo (Guillermo del Toro 2001)." Studies in Hispanic Cinema, 2007, Vol. 3 Issue 3, p135-147, 13p
UC users only

Hanley, Jane
"The walls fall down: Fantasy and power in El laberinto del fauno." Studies in Hispanic Cinema, 2008, Vol. 4 Issue 1, p35-45, 11p
UC users only

Hei Tsuei, Kam.
"The Antifascist Aesthetics of Pan's Labyrinth." Socialism & Democracy, Jul2008, Vol. 22 Issue 2, p225-244, 20p
UC users only

Hanley, Jane.
"The walls fall down: Fantasy and power in El laberinto del fauno." Studies in Hispanic Cinemas, 2008, Vol. 4 Issue 1, p35-45, 11p;
UC users only

Hodgen, Jacob M.
"Embracing the Horror: Tracing the Ideology of Guillermo Del Toro's Pan's Labyrinth." Velox: Critical Approaches to Contemporary Film, Vol 1, No 1 (2007)

Janet J. T.
"Other Pasts: Family Romances of Pan's Labyrinth." Psychoanalysis, Culture & Society, Jul2008, Vol. 13 Issue 2, p175-187, 13p

Lázaro-Reboll, Antonio.
"The Transnational Reception of El espinazo del diablo (Guillermo del Toro 2001)." Hispanic Research Journal, Feb2007, Vol. 8 Issue 1, p39-51, 13p
UC users only

Levine, Deborah.
"Pan's Labyrinth." International Journal of Psychoanalytic Self Psychology, Jan2008, Vol. 3 Issue 1, p118-124, 7p
UC users only

Perlich, John
"Rethinking the monomyth: Pan's labyrinth and the face of a new hero(ine)." In: Millennial mythmaking : essays on the power of science fiction and fantasy literature, films and games / edited by John Perlich and David Whitt. Jefferson, N.C. : McFarland & Co., c2010.
Moffitt PN1995.9.F36 M56 2010
Pacific Film Archive PN1995.9.F36 M56 2010

Rohde-Brown, Juliet.
"Pan's Labyrinth". Psychological Perspectives, Jun2007, Vol. 50 Issue 1, p167-169, 3p

Segal, Timothy
"Pan's Labyrinth : A subjective view on childhood fantasies and the nature of evil." International Review of Psychiatry, Jun2009, Vol. 21 Issue 3, p269-270, 2p

Smith, Paul Julian.
"Pan's Labyrinth (El laberinto del fauno). Film Quarterly, Summer2007, Vol. 60 Issue 4, p4-9, 6p
UC users only

Tanvir, Kuhu.
"Pan's Labyrinth: The Labyrinth of History." Wide Screen, 2009, Vol. 1 Issue 1, p1-4, 4p
UC users only

Thormann, Janet .
"Other Pasts: Family Romances of Pan's Labyrinth." Psychoanalysis, Culture & Society, Jul2008, Vol. 13 Issue 2, p175-187, 13p

Tsuei, Kam Hei.
"The Antifascist Aesthetics of Pan's Labyrinth." Socialism and Democracy. Jul 2008. Vol. 22, Iss. 2; p. 225 (21 pages)
UC users only

Yocom, Margaret R.
"Pan's Labyrinth (El laberinto delfauno)." Marvels & Tales, 2008, Vol. 22 Issue 2, p345-348, 4p
UC users only

Zipes, Jack.
"Pan's Labyrinth (El laberinto delfauno)." Journal of American Folklore, Spring2008, Vol. 121 Issue 480, p236-240, 5p

Julio Medem

Richardson, Nathan E.
"Preserving the house while pursuing the world: Julio Medem's engagement with Basque space, from Vacas to La Pelota Vasca, 1992-2003." In: Constructing Spain : the re-imagination of space and place in fiction and film, 1953-2003 / Nathan Richardson. Lewisburg [Pa.] : Bucknell University Press ; Lanham, Md. : Co-published with Rowman & Littlefield Publishers, c2012.
Main (Gardner) Stacks PQ6144 .R43 2012

Lovers of the Arctic Circle (Los Amantes del Círculo Polar)

Bell, Silvia M.

1911
Amid a theatre-building boom, a permit is granted to the Suburban Amusement Co. to construct a purpose-built cinema at the corner of Howard Park and Roncesvalles.

1912
Concerned about the perceived corruptible influence of moving pictures on children, the Toronto Board of Education protests the cinema’s construction. A letter is sent to the police commissioner “protesting strongly against the establishment of a moving picture show in the vicinity of Howard Park School.” Stronger heads prevail and The Revue Theatre opens.

The “theatorium” includes a small stage with a movable screen, and is used as both a playhouse and a cinema. Its original address is 320 Roncesvalles Avenue.

1914
Proceeds from various screenings are donated to the war effort.

1920
Jacob Smith, owner since 1912,  operates the Revue as a first run cinema where people comes to see the latest films.

1925
As businesses are closed on Sundays, various religious congregations use the cinema as a place of worship and Sunday schools throughout the ‘20s and ‘30s.

1929
Joining the ranks of many Toronto theatres, the Revue converts to sound and talking pictures.

1930
The Revue remains highly popular during the Great Depression in the 1930’s. The Revue provided affordable entertainment to escape the grim economic times.

1936
An extensive Art Deco re-construction courtesy of architects Kaplan & Sprachman. The cinema now features a marquee and 543 seats. A gala opening takes place in September.

1939
During the Second World War until 1945, films attempt to lift the people’s morale. Children visiting the Revue were given, as a part of a government program, a glass of milk to help alleviate the effect of rations.

1955
Let’s all go to the lobby! Two rows are removed from the back of the theatre to make way for a concession stand, several years after they’d become common-place in Toronto theatres.

1960
Per the Globe & Mail: A bandit pushed a gun through the box office wicket. Mrs. Frederica Jarosz, the cashier, screamed and the man fled with the manager and two ushers in pursuit. They lost him after a chase of several blocks.
Through the 1960s, German films are shown regularly throughout the decade to serve west-end Toronto’s growing German-speaking population.

1970
Managed by Paul Ennis in the 1970s, the Revue is known as a premier art-house in the city regularly showing the works of Fellini and Bergman and showcasing new filmmakers like Werner Herzog.

1972
Renamed to the Revue Cinema, it becomes an independently-run art house and repertory theatre.

1980
The Revue joins the city-wide Festival Cinemas chain and operates as a repertory and second run cinema. The chain is owned by Etobicoke resident, accountant and film buff Peter McQuillan.

2000
The wooden seats are finally replaced with the current seats. A total of 238 seats were installed.

2006
The Revue closes after the fall of the Festival Cinemas chain and the death of building owner Peter McQuillan. The Revue Film Society is formed in order to preserve the cinema.
The Toronto Preservation Board provides historic designation to the Revue’s façade. They acknowledge  the presence of classical Edwardian details typical of the World War One era.

2007
After years of neglect, a heavy snow buildup was key to the collapse of the Revue’s marquee onto the street in February. Thankfully, nobody is hurt.

The Revue Film Society, busy with fundraising efforts to re-open the cinema, preserves portions of the marquee. Except for the loss of its marquee, the facade of the theatre remains unchanged since it was constructed.
The cinema reopens as a not-for-profit, community-driven cinema in October, with a gala screening of Some Like It Hot.

2012
As exhibition formats convert from 35mm film to digital, the Revue Film Society is recipient of a Trillium Grant to assist in the purchase of digital projection technology just in time to celebrate turning 100 years old!

2014
The cinema makes a push towards more community-focused, event-driven screenings and is awarded a second Trillium Grant in order to renovate the lobby and interior, restoring much of the building’s Edwardian and Art Deco charm.

2017
The Revue celebrates 10 years as a nonprofit cultural community organization.

TODAY
Tthe Revue Film Society works with several charities, not-for-profit organizations and neighborhood schools, helping to raise funds or bring awareness to various social causes. It hosted a fundraiser for the Kids Up Front organization with the film On The Way to School. Months later, over one hundred students from Howard Park Public School attended a film history seminar, followed by a silent Charlie Chaplin screening with live piano accompaniment.
There’s a sense of irony attached to the Revue’s current educational and fundraising mandate, since a nearby school nearly kept it from opening in 1912.